Ars et Amici

The performance schedule for Ars et Amici.

Ars & Amici: Italy’s Ligurian Coast, February 2015

Ars & Amici tours Italy’s Ligurian Coast, February 11-23, 2015. We will be based in Rapallo, and will visit (and perform in) Genoa, Portofino, Cinque Terre and Monaco.

Choral singers and advanced level recorder players welcomed.  Repertoire to be set by October 2014, with rehearsals in October, November, and January; dress rehearsal and pre-tour preview performance in February.

This is a self-funded trip; fees include hotels (breakfast and some meals), group transportation, local walking tours and visits to historical places.  Rates are per person/double occupancy; single rooms available at a surcharge.

Non-performing friends are invited to join our adventure.  Please contact Ars & Amici’s program director, Sheila Beardslee, sheilabb [at] verizon [dot] net, for further details.

Early Music Boston May 8, 2014 sheila Ars et Amici

Ars & Amici: Venice & the Dolomites, April 2012

Ars & Amici toured Venice and the Dolomites in April 2012. In addition to singing masses and presenting concerts, we enjoyed the beautiful mountains and valleys of the Trentino/Alto-Adige region and the glories of Venice.

Our first performance was a concert in Santa Maria Assunta (Pieve) with Coro Sass Maor, a well-known men’s chorus in the Dolomite region. Our two ensembles joined forces to sing two of the region’s most beloved song, “Signore delle cime,” and “Amici miei” (set to the tune of Amazing Grace). For masses in the mountain villages and on the islands of Venice, we sang works by Gabrieli, Croce, Marenzio, Handl & Anonymous; our consort performed instrumental works by Gabrieli, Priuli, Banchieri  & others.  In public concerts, we sang secular works by Monteverdi, Marenzio and Luzzaschi as well.


If you are interested to travel with us next time,  please contact Ars & Amici’s program director, Sheila Beardslee, sheilabb [at] verizon [dot] net.

Early Music Boston April 20, 2011 sheila Ars et Amici
Early Music Boston - © Sheila Beardslee